What I’m About
So I've been doing this for ten years now, and the best moments? They're when someone just stands there. No small talk, no "oh how interesting." Just that look. You know the one. When something actually lands.
I work with oils because I like the weight of them. The realness. No shortcuts, no digital polish—just paint behaving the way paint does when you really work it. Some pieces take three months. Others take a year and a half. I'm not in a rush. The good stuff happens when you stop trying to force it.